A Poetry Slam

Let’s slam poetry.

And I mean that quite literally.

You see I’d never understood the whole point of poetry,

I mean, making words rhyme? How hard could that be?

You put a B after C and a D and an E,

Things seem to take care of themselves- to me.

But that’s not even it, there are these ‘distinct’ types,

There’s rhymed and unrhymed, then prosed and versed,

Aren’t these terms interchangeable first?

Odd laments and loud odes are all separated with silly names,

Everything so categorically distinguished when they seem to mean all the same.

Oh! And Shakespearian scripts had these incredibly long sonnets;

Which were somehow cheated into being just 14 lines of text.

Odes and Octaves, Haikus and Hymns,

They term it all poetry, no matter what way it’s put in.

So when I came across this new type called slam poetry:

I found it quite interesting, it really did amuse me.

There are so many things wrong about the whole notion of verses,

And I’m trying to be polite here, trying to hold back my tongue on some curses.

But when similes charge unnecessarily like armed soldiers at playgrounds,

It terribly disarms me, I’m pretty sure the logic just isn’t sound.

We have oxy-morons which provide a dull gleam just before

The sun sets to destroy all light with a metaphor.

Next, repetitions with the poet writing the same word again and again and again,

What profound enlightenment from the third do we gain?

Also, the personification of objects- isn’t that a schizophrenic absurdity?

And given a million days I will never comprehend a hyperbole.

Worse still are the atrociously administered alliterations;

They make one question the wholesome concept of poetic licence.

And yet sometimes just sometimes, the words string together.

Sometimes, when everything is silent, these words scream loud and clear.

The flick of our hips when reading Maya Angelou’s Phenomenal Women?

The shock when the Ancient mariner shoots the albatross in the blink of a second.

Ernest Henley’s ‘Invictus’ can pull a limp man up to stand,

While ‘If’ can change one’s every sinew every strand.

We can wander all we want, wander lonely as a cloud,

Or choose to walk the road less travelled by,

Poetry will still catch up by the arm, turn us around and speak out loud.

Tell us to just listen, then the verses will explain why.

Because it has never been about making ends round right.

It’s just bringing what’s left out to light.

The rhyme scheme, the arrangement, they just let things be.

Because poetry is a lot more than what we see.

– Swathi Chandrasekaran
From 2016, published in Feeds NITT

Lover of books, puzzles, dance, art, sports and coffee to get through them all! Find me on Goodreads here and do follow my blog if you like it.

Gridversed

The following image is my response to a reddit prompt on writing a piece designed as a matrix. Read across each row and down each column to get 6 different perspectives of powerful female characters from fictional realms we know and love! I had immense fun writing it, as would you reading it granted you know the worlds of Harry Potter, A Song of Ice and Fire and BBC’s Sherlock.

– Swathi Chandrasekaran

Both those shadows are mine

Have you read The Strange Case of Dr. Jekyll and Mr. Hyde and felt a sinking tightness of a knot in your belly as you begin to relate to the mad mad protagonist? I did, and this is a small ode to the piece of art that made me question concepts of sanity, anger and mental balance.

Blog_Both those shadows are mine.jpg

 

– Swathi Chandrasekaran, Advait Nair, Maanasa Vijayasarathy and Porvika Bala; Designed by Siva Prakash (As a part of Team Feeds- NIT Trichy’s Official Media House)
To read more interesting pieces such as these, do check out the amazing work done by Team Feeds right here!

Tears and Time

Tears and time

It was more than I could take,

I could see it in the photos- from the red, teary face.

I was three, and I was in grief- I’d been woken up too rashly.

And it had been more than I could take.

 

So I’d let the tears flow, time do its job.

Cleanse my palette clean of damage and begin the art once more.

I could take it, then.

 

It was more than I could take, Tears and time_5

When I kicked my brother to what I thought was an instant death,

I cried then, my scream tangled with his shrieks of agony,

I was seven, I’d just learnt the pain of guilt-

And it was more than I could take.

 

Tears and time_3

So the tears flowed, time did its wonders,

Soon enough we were fighting with spoons and scissors.

I could take it, then.

 

 

 

It was more than I could take when I heard of my grandpa’s demise.

It was more than I could take when I heard my grandma had followed him.

It was more than I could take each time and every time tears did their miracles.

Each time, time was there to stitch and save me.

Each time I learnt the ache of a new grief, each time it turned into muscle memory.

 

It is more than I can take,

Losing a part of life I thought was there to stay,

But now I know what I have to do-

 

Curl up in silence, roll into the loneliness,

Let the knots in my stomach weigh me down,

Let the tears flow, let the time pass,

Let some magic and miracles occur and things get darned back together.

Tears and time_4

(Art inspired by drawingartistic.com)

 

 

Double Negatives

Doubling a negation hasn’t never been done,

Ominous and threatening, wouldn’t never leave the meaning undone.

Under the words, it neither never adds class to a clause;

Beneath the bottom, nor not incite pleasure to a pause.

Lost it has- it’s never absent glory,

Ever twisting the tale, can’t never not complete the story.

Neither meets its never, as nor meets its not;

Ever never divulging to ones that know nothing about.

Granting passion in tone, never dismissing the disdain in voice;

Allowing time to rethink, never not hold to a choice.

Though it hasn’t never added confusion,

Impaling judgement, not never plaguing precision.

Vicious in its visions, hold the double negative with reverence;

Eluding doesn’t never aid, allude neither never nor not.

26/7/2014